Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Friday, 25 April 2025

Ordinary Days - Upstairs at the Gatehouse

Ordinary Days, a musical by Adam Gwon, follows four New Yorkers as they navigate daily life in the big city. Two of them are a couple whose relationship slowly unravels before us; the other two are strangers, one an aspiring academic, the other a young man who is muddling through life, who connect through a lost item. During the show, all four characters reveal what brought them to New York and what they're searching for to create the lives they dream of. They reveal hopes and fears and the daily dramas in seemingly trivial things. Ultimately, we see how they find meaning, joy, and connection in an increasingly complicated world.

This production, from Birmingham’s Old Joint Stock Theatre, was staged Upstairs at The Gatehouse with a strikingly minimalist set: a few moveable boxes, some carefully placed props, and a single picture frame. Accompanied by a live pianist, the four actors—Aidan Cutler, Melissa Camba, James Edge, and Dora Gee—perform the entire show without spoken dialogue. The songs carry the narrative, giving the piece a lyrical, flowing rhythm.

Despite being written over 15 years ago, the musical feels fresh and timely. Cutler’s comic timing is impeccable, bringing warmth and real vulnerability to Warren, his oddball optimist of a character. Dora Gee is a standout as Deb, delivering razor-sharp humour with ease. All four performers are strong vocalists, and the pianist deserves credit for underpinning the show beautifully.

The sparse set and well-judged lighting effects enhanced rather than distracted, allowing the characters and music to take centre stage. The staging was excellent and the small cast used every inch of space giving the audience a feeling that we were in a much bigger space. Given that Ordinary Days requires only four actors and a pianist, it deserves to travel further. This production told its story with heart, humour and a quiet originality and despite it's relatively light tone, it felt life-affirming and I certainly came away feeling a little lighter than when I arrived. I hope it isn’t the last we see of it. Ordinary Days is anything but ordinary.

Thursday, 24 April 2025

Salty Brine, These are the Contents of My Head at Soho Theatre

I didn't know what to expect from Salty Brine. I'm never quite sure that I'm the target audience for drag acts at Soho Theatre. After all, I'm CIS female, straight and certainly old enough to be the artiste's mother. I've been a bit non-plussed by some of those that I've seen there in the last few months feeling that they were aimed squarely at a queer, male audience and misogyny is also evident more times than I would like. 

I needn't have worried with this show. Salty is different. They had something to say that could touch anyone in the audience so it had a more universal appeal. Sure, there were things in it that a gay man would relate to more than me, but that feeling of being an outsider and trying to fit in in places where you're never really going to fit in resonated. 

The show is clever in that weaves Brine's Judy Garland singing persona, the songs of Annie Lennox's album DIVA, the Kate Chopin book 'The Awakening' (required reading in US schools apparently) and the tale of Brine's own upbringing. Despite this seemingly complex premise, it was easy and fun to be carried along with the adept storytelling, the wonderful singing and music. The whole thing was engaging, thoughtful and funny - a complete theatrical experience rather than a song cycle with anecdotes. 

A special mention should go out to Brine's band. What a treat to have a full ensemble on stage instead of a soundtrack. The musical arrangements were superb and Brine's Musical Director, Ben Langhorst, is also an absolute hoot! This show has style, pzazz aplenty and yet retains the human story at it's core. 

The next time Salty hits Blighty, I'm there!

Friday, 19 August 2022

101 Dalmations at Regent's Park Open Air Theatre

A photo of the set of 101 Dalmations, a musical at Regent's Park Open Air Theatre seen on August 19 2022
A fun night out in a gorgeous setting. It's my first visit to Regent's Park Open Air Theatre and it doesn't disappoint.

Excellent singing and choreography from everyone. The story has some clever tweaks to it to accommodate modern sensibilities. The whole cast is fab and the staging makes full use of the space available.

The puppetry is very good indeed and I liked the way they had puppeteers and actors protraying Perdi and Pongo. It was skillfully done. It was also delightful to see a young cast on stage playing some of the pups. 

Cruella is brilliantly evil and her two nephews are great fun. This is a light-hearted show that also manages to shed light on topical issues like celebrity, influencer culture, and even homelessness. It's a family show by design, but there's plenty in there for adults too. 

There are great views from every seat and the seats are comfy too even though they're outside. There are several restaurant choices on site too which are not hideously expensive and a huge bar. 

Recommended.

More information about the show including photos and audio tracks https://openairtheatre.com/production/101-dalmatians

Cast
Cruella De Vil - Kate Fleetwood
Casper - Johnny Weldon
Jasper - George Bukhari
Danielle - Karen Fishwick
Dominic - Eric Stroud

Creatives
Director - Timothy Sheader
Musical Director - Tarek Merchant
Book - Johnny Knight
Stage Adaptation - Zinnie Harris
Music & Lyrics - Douglas Hodge